The art of the past no longer exists as it once did. Its authority is lost. In its place there is a language of images. What matters now is who uses that language for what purpose. This touches upon questions of copyright for reproduction, the ownership of art presses and publishers, the total policy of public art galleries and museums. As usually

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This century, content has overridden style all over – but here are very dumb images without content made in unpleasant styles. Here are counterweights to all the polite mediocrity, the unbearably literal messaging, the great deluge of information, the rationalized views of a world that can no longer be explained. Instead of refinement, there is... See more