The Beautifully Unnerving Gaze of “Evil Does Not Exist”
“I started with the courtroom setting because I saw scope for humour and satire in it. But while talking to lawyers, I realised the law is not absolute; it’s interpreted. Then, who is responsible for the interpretation becomes important because each person comes to the table with their own set of prejudices and biases, values, and ethical and moral... See more
persistence.of.cinemainstagram.comIn short, even though Kehr remains one of the most responsible of film critics, he also proves that one reason why he deserves this distinction is that he knows the value of irresponsibility—as his treatment of Russ Meyer’s Supervixens also demonstrates.