The Artist's Way: A Spiritual Path to Higher Creativity

Anger is the firestorm that signals the death of our old life. Anger is the fuel that propels us into our new one. Anger is a tool, not a master. Anger is meant to be tapped into and drawn upon. Used properly, anger is use-full. Sloth, apathy, and despair are the enemy. Anger is not. Anger is our friend. Not a nice friend. Not a gentle friend. But

What you have been doing is wiping the mirror. Each day’s morning pages take a swipe at the blur you have kept between you and your real self. As your image becomes clearer, it may surprise you. You may discover very particular likes and dislikes that you hadn’t acknowledged. A fondness for cactuses. So why do I have these pots of ivy? A dislike fo

Remember that in order to recover as an artist, you must be willing to be a bad artist. Give yourself permission to be a beginner. By being willing to be a bad artist, you have a chance to be an artist, and perhaps, over time, a very good one.

In his book, The Scottish Himalayan Expedition, W. H. Murray tells us his explorer’s experience: Until one is committed, there is hesitancy, the chance to draw back, always ineffectiveness. Concerning all acts of initiative [or creation] there is one elementary truth, the ignorance of which kills countless ideas and splendid plans: that the moment

The poet William Meredith has observed that the worst that can be said of a man is that “he did not pay attention.”

Time Travel: Select and write out one horror story from your monster hall of fame. You do not need to write long or much, but do jot down whatever details come back to you—the room you were in, the way people looked at you, the way you felt, what

Very often audacity, not talent, makes one person an artist and another a shadow artist—hiding in the shadows, afraid to step out and expose the dream to the light, fearful that it will disintegrate to the touch.

Fear is the true name for what ails the blocked artist. It may be fear of failure or fear of success. Most frequently, it is fear of abandonment. This fear has roots in childhood reality. Most blocked artists tried to become artists against either their parents’ good wishes or their parents’ good judgment. For a youngster this is quite a conflict.

When people do not want to see something, they get mad at the one who shows them. They kill the messenger. A child from an alcoholic home gets into trouble scholastically or sexually. The family is flagged as being troubled. The child is made to feel shame for bringing shame to the family. But did the child bring shame? No. The child brought shamef