The Art of Solitude
“It is familiarity, rather than knowledge, that takes away their strangeness.”
Stephen Batchelor • The Art of Solitude
But for many it provides the time and space to develop the inner calm and autonomy needed to engage effectively and creatively with the world. Moments of quiet contemplation, whether before a work of art or while observing your breath, allow you to rethink what your life is about and reflect on what matters most for you.
Stephen Batchelor • The Art of Solitude
That is why it is not enough to remove oneself from people, not enough to go somewhere else. We have to remove ourselves from the habits of the populace that are within us.
Stephen Batchelor • The Art of Solitude
Being unable to control events, I control myself: I adjust myself to them if they do not adjust themselves to me.
Stephen Batchelor • The Art of Solitude
We live together, we act on, and react to, one another; but always and in all circumstances we are by ourselves. The martyrs go hand in hand into the arena; they are crucified alone. Embraced, the lovers desperately try to fuse their insulated ecstasies into a single self-transcendence; in vain. By its very nature every embodied spirit is doomed to
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Standing out in this way serves to affirm your existence (ex-[out] + sistere [stand]).
Stephen Batchelor • The Art of Solitude
The greatest thing in the world is to know how to be for yourself.
Stephen Batchelor • The Art of Solitude
The practice of Zen is about coming to terms with the question of who and what you are. Allow yourself to be a mystery for yourself rather than a set of more or less interesting facts.
Stephen Batchelor • The Art of Solitude
I find myself utterly incapable of putting what it is I’m experiencing right now into words. I do not know what on earth is going on here. The practice of “What is this?” confronts you with what philosophers call the sheer “facticity” of your existence. This is the inescapable reality of what it’s like to be me, which seems impossible to articulate
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he described how meditating on “the sensation of being in a body” became a tool he then transferred to making sculpture. He insists that his sculptures do not represent the body but reveal the space the body inhabits. Meditation would also have helped him remain still and calm enough while he had his own body cast for works such as Untitled (for Fr
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