Being a first-class noticer, and cultivating the ability to attend to what others overlook, is crucial to any creative process.

Scheduling creative play • Scheduling personal reflection • Scheduling specific passion-project focus What unites them is a commitment to making the time to attend to what really matters to you—a sort of jujitsu on the culture of scheduling

experience everyday life from the perspective, essentially, of an alien. Here's how he described the ideal alien-level mind-set he sought to inhabit: “I’ve never seen the world before.” This, Bellow explained, allowed him to regard everything he encountered as if it were a thrilling discovery, a pure revelation, “a beautiful, marvelous gift.

FRENCH WRITER Georges Perec, best known for his 1978 novel Life, A User’s Manual, coined the term infra-ordinary to describe the opposite of the “extraordinary” events and objects and communications that dominate our mental lives. Perec’s obsession with the infra-ordinary was in part ideological—it

The students, she suggested, have finally worked around their need to interpret and have simply found a way to engage with the world as it is, through their senses—“just noticing what’s around them,” without comparison, without reference point or metaphorical shortcut.

Try this out. Then imagine a version of Yelp built of reviews of everyday things in general—workaday objects, quotidian sounds, unusual sensations, random encounters. Review a manhole cover or a siren. Review the most interesting thing you touched all week or the most memorable smell you encounter in the next twenty-four

Did you know that road signs are designed to signal the level of danger drivers need to be aware of by the number of sides they have? And stop signs, having eight sides, signal the second highest? (The round and thus effectively infinite-sided sign used to mark railroad crossings is the highest level.)

These “forces” are, strictly speaking, invisible. We’re talking about mind-sets and feelings, instincts that even the individuals involved may not be consciously aware of. Invisible forces are a fun challenge to seek

“To resist metaphor is very difficult, because you have to actually endure the thing itself,” she said. “Which hurts us for some reason.”