
The Amazing Adventures of Kavalier & Clay

Antarctica was beautiful—even Joe, who loathed it with every fiber of his being as the symbol, the embodiment, the blank unmeaning heart of his impotence in this war, had felt the thrill and grandeur of the Ice. But it was trying, at every moment you remained on it, to kill you. They could not let their guard down for a moment; they had all known t
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“Then there is no choice,” he said. “They spent everything they had.” He accepted the cigarette the old man offered. “What am I saying—‘if I’m going’?” He spat a flake of tobacco at the ground. “I have to go.” “What you have to do, my boy,” Kornblum said, “is to try to remember that you are already gone.”
Michael Chabon • The Amazing Adventures of Kavalier & Clay
Again Kornblum prods Joe to go where he needs to go. It's interesting to see the places Joe required provocation to move forward.
A moment later, wearing a corn-colored jacket over green velour pants and an orange-and-green-plaid tie, Jack Ashkenazy came in, followed by George Deasey, who, as ever, appeared to be in a testy mood. He was, as Anapol had mentioned, a graduate of Columbia, class of 1912. Over the course of his career, George Debevoise Deasey had published symboli
... See moreMichael Chabon • The Amazing Adventures of Kavalier & Clay
Now that is an introduction.
While the quality of its interior illustrations was generally execrable at best, its covers pretended to some of the skill and design of the slick, and to the brio of the pulp magazine. The comic book cover, in those early days, was a poster advertising a dream-movie, with a running time of two seconds, that flickered to life in the mind and unreel
... See moreMichael Chabon • The Amazing Adventures of Kavalier & Clay
Overpromise and underdeliver - the motto of pulp.
Having lost his mother, father, brother, and grandfather, the friends and foes of his youth, his beloved teacher Bernard Kornblum, his city, his history—his home—the usual charge leveled against comic books, that they offered merely an easy escape from reality, seemed to Joe actually to be a powerful argument on their behalf. He had escaped, in his
... See moreMichael Chabon • The Amazing Adventures of Kavalier & Clay
Here here! How much escapism is pedaled on tv, books, radio, podcasts today? We're living in a golden age of needing to escape.
For days, he stood in the cold shower of her imagined anger, which he felt he entirely deserved. Not only for having left her pregnant and in the lurch, so that he might go off in a failed pursuit of an impossible revenge; but for having never returned, never telephoned or dropped a line, never once thought of her—so he imagined that she imagined—i
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Those who make their living flirting with catastrophe develop a faculty of pessimistic imagination, of anticipating the worst, that is often all but indistinguishable from clairvoyance. Kornblum knew at once that his unexpected visitor must be Josef Kavalier, and his heart sank. He had heard months ago that the boy was withdrawing from art school a
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This evokes a selflessness and fatherly care to Kornblum without a need to state it so directly.
He exited the workroom, troubled, but not unduly, by a pang of sympathy for Kavalier & Clay. Love saw how it was. These boys had come up with this Escapist character and then, in exchange for some token payment and the opportunity of seeing their names in print, signed away all the rights to Anapol and company. Now Anapol and company were prosp
... See moreMichael Chabon • The Amazing Adventures of Kavalier & Clay
Don't sign away your rights for a flat fee! Demand a cut of the action.
The boy’s face had gone blank and bloodless with what looked to Lieber like astonishment. Somehow his hoax had come true.
Michael Chabon • The Amazing Adventures of Kavalier & Clay
How did Joe know about the threat in order to make good on it?