
The Amazing Adventures of Kavalier & Clay

A fourteen-story office block faced with stone the color of a stained shirt collar, its windows bearded with soot, ornamented with a smattering of moderne zigzags, the Kramler stood out as a lone gesture of commercial hopefulness in a block filled with low brick “taxpayers” (minimal structures generating just enough in rent to pay property taxes on
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In 1939 the American comic book, like the beavers and cockroaches of prehistory, was larger and, in its cumbersome way, more splendid than its modern descendant. It aspired to the dimensions of a slick magazine and to the thickness of a pulp, offering sixty-four pages of gaudy bulk (including the cover) for its ideal price of one thin dime. While t
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She was a large, boneless woman who draped herself like an old blanket over the chairs of the apartment, staring for hours with her gray eyes at ghosts, figments, recollections, and dust caught in oblique sunbeams, her arms streaked and pocked like relief maps of vast planets, her massive calves stuffed like forcemeat into lung-colored support hose
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It was the drawing of Harry Houdini, taking a calm cup of tea in the middle of the sky, that Thomas had made in his notebook during his abortive career as a librettist. Josef studied it, feeling as he sailed toward freedom as if he weighed nothing at all, as if every precious burden had been lifted from him.
Michael Chabon • The Amazing Adventures of Kavalier & Clay
Kornblum, whose encyclopedic knowledge of the railroads of this part of Europe was in a few short years to receive a dreadful appendix, had coached him thoroughly, as they worked to gaff the coffin, on the stages and particulars of his journey.
Michael Chabon • The Amazing Adventures of Kavalier & Clay
“Never worry about what you are escaping from,” he said. “Reserve your anxieties for what you are escaping to.”
Michael Chabon • The Amazing Adventures of Kavalier & Clay
He didn’t tell them what he now privately believed: that Josef was one of those unfortunate boys who become escape artists not to prove the superior machinery of their bodies against outlandish contrivances and the laws of physics, but for dangerously metaphorical reasons. Such men feel imprisoned by invisible chains—walled in, sewn up in layers of
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Under Kornblum’s tutelage, Josef began to learn the rigorous trade of the Ausbrecher from the lips of one of its masters. At the age of fourteen, he had decided to consecrate himself to a life of timely escape.
Michael Chabon • The Amazing Adventures of Kavalier & Clay
Does this actually turn out to be the case in the book? There are many times that it feels Joe should have escaped sooner. He sets down roots in some pretty disappointing places.
“What?” Sammy said. “What are you thinking?” “I wish he was real,” said Joe, suddenly ashamed of himself. Here he was, free in a way that his family could only dream of, and what was he doing with his freedom? Walking around talking and making up a lot of nonsense about someone who could liberate no one and nothing but smudgy black marks on a piece
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Joe himself talks about this later, how escapism is one of the highest purposes you can serve for people who need to escape (at a time when the value of comics will be called into question). On this level, the term "escapist" operates at a couple levels throughout the book - it is helpful to think of it literally and figuratively - a lovely tongue in cheek.