Finally, the attempt to make all analyses of gender intersectional, to focus relentlessly on a simplistic concept of societal privilege, rooted overwhelmingly in identity (and not in economics) and to incorporate elements of critical race Theory and queer Theory, results in a highly muddled, Theoretical, and abstract analysis that makes it difficul

There appears to be a curious turn from the “self-made woman” of the late 1990s and early 2000s and the millennial Wonder Woman (Amy Cuddy), who was encouraged to airbrush her insecurities and reframe them as confidence and resilience, to celebrating a female subject who foregrounds her pain and vulnerability as a vital asset for success at work.