Story: Style, Structure, Substance, and the Principles of Screenwriting
A BEAT is an exchange of behavior in action/reaction. Beat by Beat these changing behaviors shape the turning of a scene.
Robert McKee • Story: Style, Structure, Substance, and the Principles of Screenwriting
Limitation is vital. The first step toward a well-told story is to create a small, knowable world.
Robert McKee • Story: Style, Structure, Substance, and the Principles of Screenwriting
The weakest possible excuse to include anything in a story is: “But it actually happened.
Robert McKee • Story: Style, Structure, Substance, and the Principles of Screenwriting
If the answer you write down at the end of the scene is the same note you made at the opening, you now have another important question to ask: Why is this scene in my script?
Robert McKee • Story: Style, Structure, Substance, and the Principles of Screenwriting
Look closely at each scene you’ve written and ask: What value is at stake in my character’s life at this moment?
Robert McKee • Story: Style, Structure, Substance, and the Principles of Screenwriting
If the audience shrinks, the budget must shrink. This is the law.
Robert McKee • Story: Style, Structure, Substance, and the Principles of Screenwriting
The biographer must interpret facts as if they were fiction, find the meaning of the subject’s life, and then cast him as the protagonist of his life’s genre:
Robert McKee • Story: Style, Structure, Substance, and the Principles of Screenwriting
Research is meat to feed the beasts of imagination and invention,
Robert McKee • Story: Style, Structure, Substance, and the Principles of Screenwriting
his four basic genres: Simple Tragic, Simple Fortunate, Complex Tragic, Complex Fortunate.