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Story Maps: How to Write a GREAT Screenplay
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-Is surprising, yet feels INEVITABLE.
Daniel Calvisi • Story Maps: How to Write a GREAT Screenplay
Even if your characters don't know a certain thing yet, it's usually a waste of time to show them being told the information, so try to find a way to imply they know it or show them learning it in a way that does not rely on dialogue.
Daniel Calvisi • Story Maps: How to Write a GREAT Screenplay
a scene must advance the story by bringing about some sort of change.
Daniel Calvisi • Story Maps: How to Write a GREAT Screenplay
It’s important to structure your logline around an active protagonist.
Daniel Calvisi • Story Maps: How to Write a GREAT Screenplay
Margins should be at least 1.25 inches on the left and at least 1 inch on top, bottom and right. Smaller margins will look you're "cheating" to fit more on the page. 7) Your dialogue blocks and the character name above them should be tabbed in, not centered. The dialogue block should be 3 - 3.5 inches wide.
Daniel Calvisi • Story Maps: How to Write a GREAT Screenplay
If you’re going the indie route, my advice is to end on what is most true to your story.
Daniel Calvisi • Story Maps: How to Write a GREAT Screenplay
There's nothing a reader likes more than a tight script -- with a lot of white space that’s easy to breeze through!
Daniel Calvisi • Story Maps: How to Write a GREAT Screenplay
COMBAT (optional) (page 45):
Daniel Calvisi • Story Maps: How to Write a GREAT Screenplay
The Logline’s goal is to get someone to read the script.