Story Maps: How to Write a GREAT Screenplay

Even if your characters don't know a certain thing yet, it's usually a waste of time to show them being told the information, so try to find a way to imply they know it or show them learning it in a way that does not rely on dialogue.

your goal is make the Reader feel the same emotion as they read the script as the Audience will feel when they watch the movie.

Remember not to be afraid to Get Extreme! And, as always...be elegant.

There's nothing a reader likes more than a tight script -- with a lot of white space that’s easy to breeze through!

CLIMAX (page 105-110):

Use as few words as possible. But make them the BEST words.

END OF ACT ONE EVENT/TURN & DECISION (page 25-30):

If I had to point to one element that separates studio films from independent films, it would no longer be the use of an anti-hero, it would be the dark or ambiguous ending.

this happens which forces our hero to make this decision which leads to this confrontation, which is resolved in this way.