So the point is to take the work seriously but you don’t take yourself too seriously. There’s a riff about this in Stephen Pressfield’s War of Art, where he talks about how amateurs are too precious with their work: “The professional has learned, however, that too much love can be a bad thing. Too much love can make him choke. The seeming detachment of the professional, the cold-blooded character to his demeanor, is a compensating device to keep him from loving the game so much that he freezes in action.”

If your intention is to ‘make art’, then maybe you’ll get a couple of good paintings. You may even get a show or two.

But I think of it this way: I don’t make art. I make things . Framing it like that keeps what I’m doing from becoming precious. And that’s a good thing, because to be precious is to be timid—and that’s bad. Creativity requires attent

Why have I stressed professionalism so heavily in the preceding chapters? Because the most important thing about art is to work. Nothing else matters except sitting down every day and trying.

Why have I stressed professionalism so heavily in the preceding chapters? Because the most important thing about art is to work. Nothing else matters except sitting down every day and trying.