Sarah
And so we have the critical attributes of the archetypal heroic feminine:
1. The hero challenges the external threat and the heroine challenges the hero. The inverse of that is a figure we're all familiar with, namely Lady MacBeth who rather than challenging the hero to virtue, goads him into evil. A positive example would be Elizabeth Bennet from
... See moreWhat does it mean to be a hero in the liminal? Perhaps not what it means to be a hero in the regular world. It may be that there is an inversion at play — that to survive the underworld, we need to embody the opposing qualities of our old culture. Humility over control. Surrender and acceptance over striving and efforting. This does not mean
... See moreAlexander Beiner • Traversing the Underworld: What Myth can Teach us During the Pandemic
We are literal, scientific, rational, surface-oriented, and fast-paced. Yet without imagination, the world becomes arid. Mythopoetic language is magical; it brings worlds into being. Stories of warriors hunting the windswept plains, gods who trick and deceive, maidens transformed into sea monsters, and spiders that weave the web of life have long
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