
Russian Absurd

After their theatrical zaum-based (or “transrational,” “beyond the mind”), Dada-like performances were banned in 1927,
Daniil Kharms • Russian Absurd
In “Let us look out the window” (1930), a piece of Futurist mini-theater—its
Daniil Kharms • Russian Absurd
Kharms’s artlessness, in accordance with our age, is an anti-art, an insistence that genuine art is autonomous from the “real world” rules of logic, and that meaning is to be found in the objects and words themselves, outside of any practical function.
Daniil Kharms • Russian Absurd
protoexistentialist