Rabbit Holes 🕳️ #40
the overarching early 21st-century conundrum is not so much about problem-solving or policy innovation, but primarily a challenge of perception and imagination
Creative Destruction • Rabbit Holes 🕳️ #40
So we all know that the hard boundary we place between ourselves and the world is somewhat artificial. Sure, on one level you are a separate being, different from any other. You can move your own arm, you probably can’t move my arm. On the other hand, your life is a product of an incredibly complex enmeshment of influences that can be traced back l
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hanging out as a way to reclaim time as something other than a raw ingredient to be converted into productivity
Creative Destruction • Rabbit Holes 🕳️ #40
“The choices made by designers have a significant effect on the world. Yet so much of the discourse on design focuses on aesthetics rather than ethics. […] How do you make room for humanity, with all its wondrous variations, in a society increasingly driven by metrics, algorithms, and profit? How can ecologically responsible designers consider a pr
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Erwin Schödinger: “The task is not so much to see what no one has yet seen; but to think what nobody has yet thought, about that which everybody sees.”
Creative Destruction • Rabbit Holes 🕳️ #40
The Age of Reorientation
Creative Destruction • Rabbit Holes 🕳️ #40
• post-tragic (meaning and agency on the other side of despair)
• post-extrinsic (driven by new societal purposes)
• post-rational (open to ways of knowing that transcend and include the intellect),
• post-exploitation (reflective about the uses and abuses of power)
• post-tribal (whole-hearted togetherness in a world of love and power; an expansive ‘W
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The most fundamental task is to help each other to reorient our life and work through a sensibility that is prefigurative of the better aspects of our emerging future.
Creative Destruction • Rabbit Holes 🕳️ #40
We need to see ourselves as part of a symbiotic, greater whole and start planning for a “long now” that looks deep into the future. This means changing the storytelling formula […] so that the main character is no longer the human but instead our planet.