Paul Thomas Anderson on ‘Licorice Pizza’ and Moviemaking: ‘Anyone Who’s Done This Knows That Confidence Is an Illusion’
When you’re working, there’s so much self-loathing. Everyone feels like their stuff is awful. When I was at CalArts I was studying painting—I’m a terrible painter—but I remember there’s a stage of a painting that just looks like a mess and then all of a sudden it becomes a painting. Movies are like that too. Magically it starts to take shape. Now I
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Murphy broke the silence. “Did you ever hear this theory that Eno has? About the farmers and the cowboys? There’s two types of artists—there’s the farmers and the cowboys.
The farmers, like in his studio for example”—he said, gesturing to the screen—“he’s mostly kind of doing the same thing, refining and refining and refining the same thing. And
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