
‘One man came out to his wife in the bar after seeing the show’

The soul of clubbing is being crushed under the weight of massive festivals and big-money parties, leaving small venues and grassroots promoters struggling to survive. As another small club in Leeds closes its doors due to ‘unassailable costs,’ we have to do better—reduce our fees when needed and support these spaces that built the culture. Enjoy these flyers from the first parties I threw in Brighton back in 2007/08 (Hold tight the MySpace glory days!) Those lineups wouldn’t have happened with today’s fees! Back then, I was one of the only promoters pushing forward-thinking bass culture in the city. Most of the audience didn’t even know half the acts, but I knew those parties were essential to moving the culture forward. Let’s help promoters do the same in their towns and cities. If you’re a small venue, promoter, or party outside of London, drop me a DM, and let’s make things happen. 📥👊🏻 PS. Shout out to all my “Top Friends” that came played for £250-£500 back then! ❤️
instagram.com**THE CLUB AS A LIFESTYLE PLATFORM: IT’S BIGGER THAN BRAT
**Bushwick circa 2022 onward is one of the most meme’d lifestyles, identities and ‘vibes’ that New York City has produced. The growing crop of club venues even amidst record rent raises demonstrate an urgent appetite for community, connection, and escapism that has emerged from that year or t
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IT’S FUN
Most crucially, BRAT offers a transportive form of musical and visual escapism and fun that encourages the audience to shake it off and get involved. It isn’t too serious, which, given everything going on out there, might be exactly what's most needed.
Grace Gordon • How to Build Brand Energy
It’s true that walking through central London in 2024 can feel like navigating a bleak, postmodern satire of the thrills of urban spontaneity: ballpit bars and escape rooms for contrived office socials; expensive, ticketed mega-events; and security guards cosplaying as cops, moving civilians on from heavily surveilled POPS, or privately-owned publi
... See moreDan Hancox • Don’t Sit at Home Mourning the Loss of Britain’s Nightclubs – Go Out and Rave
Julia Jacobs • TikTok to the Grammys: How a ‘Bridgerton’ Musical Beat Broadway (Published 2022)
I once “triple-tracked” in Rock of Ages, playing a Principal and two Ensemble tracks in one show. We were stuffing wigs and hats together to try and make me look like different characters. I was underdressed in three separate costumes at one point. I remember after the curtain call I walked off and fell in a heap and just cried in relief.