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On Writing Well: The Classic Guide to Writing Nonfiction
"The reader is someone with an attention span of about 30 seconds— a person assailed by many forces competing for attention. At one time those forces were relatively few: newspapers, magazines, radio, spouse, children, pets. Today they also include a galaxy of electronic devices for receiving entertainment and information— television, VCRs, DVDs, C... See more
William Zinsser • On Writing Well: The Classic Guide to Writing Nonfiction
"My favorite definition of a careful writer comes from Joe DiMaggio, though he didn’t know that’s what he was defining. DiMaggio was the greatest player I ever saw, and nobody looked more relaxed. He covered vast distances in the outfield, moving in graceful strides, always arriving ahead of the ball, making the hardest catch look routine, and even... See more
William Zinsser • On Writing Well: The Classic Guide to Writing Nonfiction
"Learn to alert the reader as soon as possible to any change in mood from the previous sentence. At least a dozen words will do this job for you: “but,” “yet,” “however,” “nevertheless,” “still,” “instead,” “thus,” “therefore,” “meanwhile,” “now,” “later,” “today,” “subsequently” and several more. I can’t overstate how much easier it is for readers... See more
William Zinsser • On Writing Well: The Classic Guide to Writing Nonfiction
"The airline pilot who announces that he is presently anticipating experiencing considerable precipitation wouldn’t think of saying it may rain. The sentence is too simple— there must be something wrong with it. But the secret of good writing is to strip every sentence to its cleanest components."
William Zinsser • On Writing Well: The Classic Guide to Writing Nonfiction
"“Who am I writing for?” The question that begins this chapter has irked some readers. They want me to say “Whom am I writing for?” But I can’t bring myself to say it. It’s just not me."
William Zinsser • On Writing Well: The Classic Guide to Writing Nonfiction
"I only suggest avoiding one form—“ I’d,” “he’d,” “we’d,” etc.— because “I’d” can mean both “I had” and “I would,” and readers can get well into a sentence before learning which meaning it is. Often it’s not the one they thought it was. Also, don’t invent contractions like “could’ve.” They cheapen your style. Stick with the ones you can find in the... See more
William Zinsser • On Writing Well: The Classic Guide to Writing Nonfiction
"Try not to use words like “surprisingly,” “predictably” and “of course,” which put a value on a fact before the reader encounters the fact. Trust your material.""Actually a simple style is the result of hard work and hard thinking; a muddled style reflects a muddled thinker or a person too arrogant, or too dumb, or too lazy to organize his thought... See more
William Zinsser • On Writing Well: The Classic Guide to Writing Nonfiction
"I then said that rewriting is the essence of writing. I pointed out that professional writers rewrite their sentences over and over and then rewrite what they have rewritten."
William Zinsser • On Writing Well: The Classic Guide to Writing Nonfiction
"Sell yourself, and your subject will exert its own appeal. Believe in your own identity and your own opinions. Writing is an act of ego, and you might as well admit it. Use its energy to keep yourself going."