On Writing Well: The Classic Guide to Writing Nonfiction

"My favorite definition of a careful writer comes from Joe DiMaggio, though he didn’t know that’s what he was defining. DiMaggio was the greatest player I ever saw, and nobody looked more relaxed. He covered vast distances in the outfield, moving in graceful strides, always arriving ahead of the ball, making the hardest catch look routine, and even... See more

"Try not to use words like “surprisingly,” “predictably” and “of course,” which put a value on a fact before the reader encounters the fact. Trust your material.""Actually a simple style is the result of hard work and hard thinking; a muddled style reflects a muddled thinker or a person too arrogant, or too dumb, or too lazy to organize his thought... See more

"You won’t write well until you understand that writing is an evolving process, not a finished product. Nobody expects you to get it right the first time, or even the second time."

"Surprisingly often a difficult problem in a sentence can be solved by simply getting rid of it."

"Nouns that express a concept are commonly used in bad writing instead of verbs that tell what somebody did. Here are three typical dead sentences: The common reaction is incredulous laughter. Bemused cynicism isn’t the only response to the old system. The current campus hostility is a symptom of the change."

"I only suggest avoiding one form—“ I’d,” “he’d,” “we’d,” etc.— because “I’d” can mean both “I had” and “I would,” and readers can get well into a sentence before learning which meaning it is. Often it’s not the one they thought it was. Also, don’t invent contractions like “could’ve.” They cheapen your style. Stick with the ones you can find in the... See more

"Learn to alert the reader as soon as possible to any change in mood from the previous sentence. At least a dozen words will do this job for you: “but,” “yet,” “however,” “nevertheless,” “still,” “instead,” “thus,” “therefore,” “meanwhile,” “now,” “later,” “today,” “subsequently” and several more. I can’t overstate how much easier it is for readers... See more

"There’s not much to be said about the period except that most writers don’t reach it soon enough."

"Prune out the small words that qualify how you feel and how you think and what you saw: “a bit,” “a little,” “sort of,” “kind of,” “rather,” “quite,” “very,” “too,” “pretty much,” “in a sense” and dozens more. They dilute your style and your persuasiveness."