
Saved by emacsbliss and
On Writing: A Memoir Of The Craft (A Memoir of the Craft (Reissue))
Saved by emacsbliss and
Verbs come in two types, active and passive. With an active verb, the subject of the sentence is doing something. With a passive verb, something is being done to the subject of the sentence.
There’s nothing wrong with writing any of these things. What would be very wrong, I think, is to turn away from what you know and like (or love, the way I loved those old ECs and black-and-white horror flicks) in favor of things you believe will impress your friends, relatives, and writing-circle colleagues.
Paragraphs are almost as important for how they look as for what they say; they are maps of intent.
lean more heavily on intuition, and have been able to do that because my books tend to be based on situation rather than story.
And I repeat: no big deal. These are just interests which have grown out of my life and thought, out of my experiences as a boy and a man, out of my roles as a husband, a father, a writer, and a lover. They are questions that occupy my mind when I turn out the lights for the night and I’m alone with myself, looking up into the darkness with one han
... See moreAt one moment I had none of this; at the next I had all of it. If there is any one thing I love about writing more than the rest, it’s that sudden flash of insight when you see how everything connects. I have heard it called “thinking above the curve,” and it’s that; I’ve heard it called “the over-logic,” and it’s that, too.
I would argue that the paragraph, not the sentence, is the basic unit of writing—the place where coherence begins and words stand a chance of becoming more than mere words. If the moment of quickening is to come, it comes at the level of the paragraph.
I’ll tell you right now that every aspiring writer should read The Elements of Style. Rule 17 in the chapter titled “Principles of Composition” is “Omit needless words.” I will try to do that here.
Good writing is often about letting go of fear and affectation. Affectation itself, beginning with the need to define some sorts of writing as “good” and other sorts as “bad,” is fearful behavior.