
On Writing: A Memoir of the Craft

I began learning my lessons in this regard by reading Chandler, Hammett, and Ross MacDonald;
Stephen King • On Writing: A Memoir of the Craft
What you need to remember is that there’s a difference between lecturing about what you know and using it to enrich the story. The latter is good. The former is not.
Stephen King • On Writing: A Memoir of the Craft
The writer who is serious and committed is incapable of sizing up story material the way an investor might size up various stock offerings, picking out the ones which seem likely to provide a good return.
Stephen King • On Writing: A Memoir of the Craft
Talent renders the whole idea of rehearsal meaningless; when you find something at which you are talented, you do it (whatever it is) until your fingers bleed or your eyes are ready to fall out of your head.
Stephen King • On Writing: A Memoir of the Craft
I want to put a group of characters (perhaps a pair; perhaps even just one) in some sort of predicament and then watch them try to work themselves free. My job isn’t to help them work their way free, or manipulate them to safety – those are jobs which require the noisy jackhammer of plot – but to watch what happens and then write it down. The situa
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By the time you step into your new writing space and close the door, you should have settled on a daily writing goal. As with physical exercise, it would be best to set this goal low at first, to avoid discouragement. I suggest a thousand words a day, and because I’m feeling magnanimous, I’ll also suggest that you can take one day a week off, at le
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Remember that the basic rule of vocabulary is use the first word that comes to your mind, if it is appropriate and colorful.
Stephen King • On Writing: A Memoir of the Craft
Once I start work on a project, I don’t stop and I don’t slow down unless I absolutely have to. If I don’t write every day, the characters begin to stale off in my mind – they begin to seem like characters instead of real people. The tale’s narrative cutting edge starts to rust and I begin to lose my hold on the story’s plot and pace. Worst of all,
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I want to suggest that to write to your best abilities, it behooves you to construct your own toolbox and then build up enough muscle so you can carry it with you. Then, instead of looking at a hard job and getting discouraged, you will perhaps seize the correct tool and get immediately to work.