On Writing: A Memoir of the Craft
believe plotting and the spontaneity of real creation aren’t compatible. It’s best that I be as clear about this as I can – I want you to understand that my basic belief about the making of stories is that they pretty much make themselves. The job of the writer is to give them a place to grow (and to transcribe them, of course).
Stephen King • On Writing: A Memoir of the Craft
By the time you step into your new writing space and close the door, you should have settled on a daily writing goal. As with physical exercise, it would be best to set this goal low at first, to avoid discouragement. I suggest a thousand words a day, and because I’m feeling magnanimous, I’ll also suggest that you can take one day a week off, at le
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The biggest aid to regular (Trollopian?) production is working in a serene atmosphere. It’s difficult for even the most naturally productive writer to work in an environment where alarms and excursions are the rule rather than the exception.
Stephen King • On Writing: A Memoir of the Craft
You should avoid the passive tense. I’m not the only one who says so; you can find the same advice in The Elements of Style. Messrs Strunk and White don’t speculate as to why so many writers are attracted to passive verbs, but I’m willing to; I think timid writers like them for the same reason timid lovers like passive partners. The passive voice i
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And – here’s the good part – this is a world impossible not to believe. Grisham has been there, spied out the land and the enemy positions, and brought back a full report. He told the truth of what he knew, and for that if nothing else, he deserves every buck The Firm made.
Stephen King • On Writing: A Memoir of the Craft
What you need to remember is that there’s a difference between lecturing about what you know and using it to enrich the story. The latter is good. The former is not.
Stephen King • On Writing: A Memoir of the Craft
I’m convinced that fear is at the root of most bad writing.
Stephen King • On Writing: A Memoir of the Craft
If you want to be a writer, you must do two things above all others: read a lot and write a lot. There’s no way around these two things that I’m aware of, no shortcut.
Stephen King • On Writing: A Memoir of the Craft
You can read anywhere, almost, but when it comes to writing, library carrels, park benches, and rented flats should be courts of last resort – Truman Capote said he did his best work in motel rooms, but he is an exception; most of us do our best in a place of our own. Until you get one, you’ll find your new resolution to write a lot hard to take se
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If a writer knows what he or she is doing, I’ll go along for the ride. If he or she doesn’t . . . well, I’m in my fifties now, and there are a lot of books out there. I don’t have time to waste with the poorly written ones.