Saved by Brian Sholis
Elizabeth Schambelan on criticism - Artforum International
Why You Should Tilt at Windmills (and Other Quixotic Reflections) (excerpt)
sas.rochester.edu
Sterling Crispin
@sterlingcrispin
The 'problem with AI art' stems from deep rooted cultural, psychological, and educational differences.
Some key issues:
- Most people mistakenly conflate craft with art.
- Most don't know the last hundred years of art history, or intentionally reject it outright.
- Most people fear change, and adapting your model of th... See more
@sterlingcrispin
The 'problem with AI art' stems from deep rooted cultural, psychological, and educational differences.
Some key issues:
- Most people mistakenly conflate craft with art.
- Most don't know the last hundred years of art history, or intentionally reject it outright.
- Most people fear change, and adapting your model of th... See more
Sterling Crispin • Tweet
The famous Anton Ego speech in Ratatouille:
In many ways, the work of a critic is easy.
We risk very little, yet enjoy a position of those who offer up their work and their selves to our judgement.
We thrive on negative criticism.
Which is fun to write and to read.
But the bitter truth we critics must face, is that in the grand scheme of things, the ave
... See moreA CLOSER READ
Taking Offense
Reading through bad feeling
Garth Greenwell
Louisa Clement, Skin Interlacion 18, 2022. Courtesy the artist and Eigen + Art Gallery
I CAME TO ALL of Jane Austen’s novels late, and to Persuasion particularly so, finally discovering it in a graduate seminar on the long eighteenth century. By that time, I had fallen in love with... See more
Taking Offense
Reading through bad feeling
Garth Greenwell
Louisa Clement, Skin Interlacion 18, 2022. Courtesy the artist and Eigen + Art Gallery
I CAME TO ALL of Jane Austen’s novels late, and to Persuasion particularly so, finally discovering it in a graduate seminar on the long eighteenth century. By that time, I had fallen in love with... See more
Garth Greenwell: On a Sex Scene in Miranda July's All Fours—and…
Pero nadie pregunta cómo sigue tu mamá… Sobre identidad y política en el arte contemporáneo. •
Jorge Sanguinoesferapublica.org