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Networked Knowledge and Combinatorial Creativity
So when we choose to take that recognition away, to not acknowledge content curation or information discovery or whatever we call this, we’re essentially robbing someone of their creative labor, and perpetrating another form of piracy.
Maria Popova • Networked Knowledge and Combinatorial Creativity
Einstein famously attributed some of his greatest physics breakthroughs to his violin breaks, which he believed connected different parts of his brain in new ways.
Maria Popova • Networked Knowledge and Combinatorial Creativity
There’s so much buzz and excitement about the open-source movement today, and many of these principles are hailed as revolutionary, as a sign of the times. But at their core lies something ancient. I believe creativity itself is the original open-source code.
Maria Popova • Networked Knowledge and Combinatorial Creativity
This is what I want to talk about today, networked knowledge, like dot-connecting of the florilegium, and combinatorial creativity, which is the essence of what Picasso and Paula Scher describe. The idea that in order for us to truly create and contribute to the world, we have to be able to connect countless dots, to cross-pollinate ideas from a... See more
Maria Popova • Networked Knowledge and Combinatorial Creativity
How we choose to pay attention, and relate to information and each other shapes who we become, shapes our creative destiny and, in turn, shapes our experience of the world. And, in my mind, there’s nothing more important than that.
Maria Popova • Networked Knowledge and Combinatorial Creativity
In 1964, neuropsychologist Roger Sperry drew an analogy between neurons and ideas: Ideas cause ideas and help evolve new ideas. They interact with each other and with other mental forces in the same brain, in neighboring brains, and thanks to global communication, in far distant, foreign brains.
The Marginalian • Networked Knowledge and Combinatorial Creativity
Einstein famously attributed some of his greatest physics breakthroughs to his violin breaks, which he believed connected different parts of his brain in new ways.
Maria Popova • Networked Knowledge and Combinatorial Creativity
So what enables this derivative creativity and cross-pollination of ideas is a rich pool of mental resources to derive from. And I believe the two main mechanisms of how we fill that pool are curiosity...and choice.
Maria Popova • Networked Knowledge and Combinatorial Creativity
But curiosity without direction can be a taxing and ultimately unproductive endeavor. Choice is how we tame and channel and direct our curiosity, where we choose to allocate our time and energy, and ultimately, what we choose to pay attention to.