Narratives seek closure (the story must end). The Database is open-ended (it assimilates new data indefinitely). The Database resists the Narrative impulse to control and stabilize meaning.

Narrative is a tool by which we extract (or impose, depending on your perspective) meaning from the chaotic flux of being in the world

In the post-Narrative age of the Database, we all assume responsibility for improvising our own, often tentative and fragile, narratives about both the world and ourselves. Because narrative is so critical to our sense of identity, however, we are tempted to zealously guard our narratives.

MacIntyre also went so far as to suggest that “the unity of a human life is the unity of a narrative quest.” Moreover, he claimed, “I can only answer the question ‘What am I to do?’ if I can answer the prior question ‘Of what story or stories do I find myself a part?’”

The Database dramatically expands access to information, challenging the authority of even the most venerable professional weavers of Narrative. Official narratives are just one more datapoint, one more entry in the Database, one way among many of generating a path through the entries.

But narratives are not merely a chronological list of all events or happenings. They are selective and purposeful: events are included so as to yield or imply meaningful relationships, establishing not only what has happened but also why and with what significance.

the database experience frames the encounter with narratives so that we experience narratives as just so many entries in a database of information.

Digital media introduced a new scale, pace, and pattern to human communication, and, in this way, altered how the world is perceived. With regards to scale, we encounter an unprecedented amount of information about the world at large through digital media. With regards to pace, we encounter this information with previously unknown and unrelenting i... See more