Music's Past & Future: Talking with Michael Pelczynski
One such curator is Derrick Gee, a former online radio d.j. who lives in Australia. I first encountered Gee on TikTok and was pulled in by his architect-ish look: thin wireframe glasses and stylishly baggy, often monochrome outfits. He records videos of himself talking into a microphone in a low, soothing voice, breaking down trends in contemporary... See more
Kyle Chayka • The New Generation of Online Culture Curators | The New Yorker
Björk: Creating ever changing, context-aware music
Here’s where things start to get a little crazy. A less talked about, but boundary-pushing use case is turning a traditional “static” song into a living, breathing work that can respond to environmental context, its audience, and take on the form of an ever-changing performance.
Björk: “Korsafn” (20... See more
Here’s where things start to get a little crazy. A less talked about, but boundary-pushing use case is turning a traditional “static” song into a living, breathing work that can respond to environmental context, its audience, and take on the form of an ever-changing performance.
Björk: “Korsafn” (20... See more
Lennie Zhu • ✘ Musicians harnessing AI, while doing no harm
Platforms, Creative Communities, and the Need for a Radical Reimagining - The Reboot
Tim Maughanthereboot.com
Square acquired Tidal music to tackle this problem with musicians, who currently get most of their revenue from merchandise and tours, not ad revenue.