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Björk: Creating ever changing, context-aware music
Here’s where things start to get a little crazy. A less talked about, but boundary-pushing use case is turning a traditional “static” song into a living, breathing work that can respond to environmental context, its audience, and take on the form of an ever-changing performance.
Björk: “Korsafn” (20... See more
Here’s where things start to get a little crazy. A less talked about, but boundary-pushing use case is turning a traditional “static” song into a living, breathing work that can respond to environmental context, its audience, and take on the form of an ever-changing performance.
Björk: “Korsafn” (20... See more
Lennie Zhu • ✘ Musicians harnessing AI, while doing no harm
As arduous as it could be, there was something illuminating about the process. After thinking so much about the variety of the visual world, I was seeing it in a way I never had before: as a single reality that includes accordions, blenders, cell phones, crayfish, lobsters, pizza, stop signs, umbrellas, and so many other things. There was a kind of
... See moreFei-Fei Li • The Worlds I See: Curiosity, Exploration, and Discovery at the Dawn of AI
Taste is not necessarily instantaneous and changes as you consider and digest the experience of an artwork: “We become aware of the presence of great beauty when something inspires us with a surprise which at first is only mild, but…
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Kyle Chayka • Filterworld
Music, and art as a whole, is a strange beast. You can’t see it, taste it, touch it, or smell it, but you sure can feel it.
Quincy Jones • 12 Notes: On Life and Creativity
It’s one of those albums that’s permanently lodged into my brain, where it just spins on a loop. Sometimes it comes through loud and clear, where I can feel every blip, skronk, and digitally distorted vocal. Other times, it plays on a low hum, following me like a shadow, like how the string section stalks Thom Yorke in “How to Disappear Completely.
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