A phenomenologist cannot get away with listening to a piece of music and saying, ‘How lovely!’ He or she must ask: is it plaintive? is it dignified? is it colossal and sublime? The point is to keep coming back to the ‘things themselves’ — phenomena stripped of their conceptual baggage — so as to bail out weak or extraneous material and get to the h

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This act of “really looking” is deceptive. It requires an almost “unlooking” to see closely, a kind of defocusing. Because: We tend to see in groups, not details. We scan an image or scene for the gist, but miss a richness of particulars. I suspect this has only gotten worse in recent years as our Daily Processed Information density has increased, ... See more

What Eno likes about 77 Million Paintings is that he has no idea what will appear on screen, nor what aesthetic effects will be produced. "That's pretty interesting. But what interests me more is the way people experience them. My shows are not narratives. Nothing much happens yet people come and stay for hours in a contemplative state. I thought, ... See more