
Mercury Retrograde

Eichhorn uses the potent term “content capital”—a riff on Pierre Bourdieu’s “cultural capital”—to describe the way in which a fluency in posting online can determine the success, or even the existence, of an artist’s work.
“Cultural producers who, in the past, may have focused on writing books or producing films or making art must now also spend con... See more
“Cultural producers who, in the past, may have focused on writing books or producing films or making art must now also spend con... See more
Kyle Chayka • How the Internet Turned Us Into Content Machines
The great process squeeze: How efficiency bias is choking the music industry
Devon Hansenparacosm.substack.com
As artists and professionals it is our obligation to enact our own internal revolution, a private insurrection inside our own skulls. In this uprising we free ourselves from the tyranny of consumer culture. We overthrow the programming of advertising, movies, video games, magazines, TV, and MTV by which we have been hypnotized from the cradle. We u
... See moreSteven Pressfield • The War of Art
The notion that creative people aren’t motivated by money, are always happy to be working, and prefer odd gigs to a stable career normalized the precarity and overwork of the post-Fordist world. The successful creative life calls to people like a siren song but fails to materialize for so many, who chalk their failure up to deeper personal deficien
... See moreSamuel W. Franklin • The Cult of Creativity: A Surprisingly Recent History
