M. E. Rothwell | Substack
The amount that Twitter omits is breathtaking; more than any other social platform, it is indifferent to huge swaths of human experience and endeavor. I invite you to imagine this omitted content as a vast, bustling city. Scratching at your timeline, you are huddled in a single small tavern with the journalists, the nihilists, and the chaotic&... See more
Robin Sloan • The Lost Thread
platforms have risen to become the monolithic, centrally-managed household names that we are so familiar with—where we comfortably upload our memories and fantasies, our arguments and aspirations.
Eileen Isagon Skyers • Dirt: Are we post-platform?
Keely Adler added
To step into the stream of any social network, to become immersed in the news, reactions, rage and hopes, the marketing and psyops, the funny jokes and clever memes, the earnest requests for mutual aid, for sign ups, for jobs, the clap backs and the call outs, the warnings and invitations—it can feel like a kind of madness. It’s unsettling, in the ... See more
Mandy Brown • Coming Home
often the experience of using traditional social media — which involves “navigating aimlessly and pointlessly through an apparent unceasing waterfall of content” — is associated with impressions of deadness or lifelessness. We can step into the content waterfall at any point in the day, and it will still be there: endlessly, lifelessly flowing.
Lauren Collee • Temporal Belonging
Sixian added
Sublime on Substack
substack.comCoach Matt and added
Keely Adler and added
Substack tags.
FEATURED : #2024, #alchemy, #altered #states, #analog, #antiquity, #architecture, #artificial intelligence, #artist in the machine, #auto-bio, #auto-fiction, cartography, community, consciousness, culture, decentralization, deconstructed, delirious, editing, essay architecture, futurism, internet history, language, lessons from artist
... See moreMichael Dean added
To accomplish this goal, the “proud extroversion” of the early Web soon gave way to a much more homogenized experience: hundred-and-forty-character text boxes, uniformly sized photos accompanied by short captions, Like buttons, retweet counts, and, ultimately, a shift away from chronological time lines and profile pages and toward statistically opt... See more
Cal Newport • The Rise of the Internet’s Creative Middle Class
Darren LI and added