
Killing Yourself to Live: 85% of a True Story

society glamorizes dying in order to perpetuate the hope that death validates life?
Chuck Klosterman • Killing Yourself to Live: 85% of a True Story
But this is how popular culture works: You allow yourself to be convinced you’re sharing a reality that doesn’t exist.
Chuck Klosterman • Killing Yourself to Live: 85% of a True Story
We’re all tourists, sort of. Life is tourism, sort of. As far as I’m concerned, the dinosaurs still hold the lease on this godforsaken rock.
Chuck Klosterman • Killing Yourself to Live: 85% of a True Story
was just shocked to discover how much of what used to be central to my existence doesn’t even matter to me anymore.
Chuck Klosterman • Killing Yourself to Live: 85% of a True Story
Edgar Winter—almost without question—is the most successful albino “keytar” enthusiast of the late 20th century. He had a lot to be happy about. “Slow Ride” opens
Chuck Klosterman • Killing Yourself to Live: 85% of a True Story
the word epic is not often used in the offices of Spin, except in the context of measuring coworkers’ public meltdowns and/or describing people’s drinking problems.
Chuck Klosterman • Killing Yourself to Live: 85% of a True Story
Death is part of life. Generally, it’s the shortest part of life, usually occurring near the end. However, this is not necessarily true for rock stars; sometimes rock stars don’t start living until they die.