The absolute dominance of the market isn't solely an ideological problem: it's also a practical, material impediment to storytelling, including the kind of stories that might be dangerous in a good way, or at least aesthetically interesting and worth having around. All we have is what the market gives us; all the art we enjoy was determined at some

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I too have tussled with, a decade later, in contemplating the challenge of cultivating wisdom in the age of information, particularly in a media landscape driven by commercial interest whose very business model is predicated on conditioning us to confuse information with meaning. (Why think about what constitutes a great work of art — how it moves ... See more