
Istanbul (Vintage International)

from the bond between us. But we live in an age defined by mass migration and creative immigrants, so I am sometimes hard-pressed to explain why I’ve stayed, not only in the same place but in the same building. My mother’s sorrowful voice comes back to me: “Why don’t you go outside for a while? Why don’t you try a change of scene, do some traveling
... See moreOrhan Pamuk • Istanbul (Vintage International)
According to the first tradition, we experience the thing called hüzün when we have invested too much in worldly pleasures and material gain; the implication is, “If you hadn’t involved yourself so deeply in this transitory world, if you were a good and true Muslim, you wouldn’t care so much about your worldly losses.”
Orhan Pamuk • Istanbul (Vintage International)
Combining medical science with philosophy, he advises his readers to seek relief in reason, work, resignation, virtue, discipline, and fasting—another interesting instance of common ground underlying these two texts that rise out of such very different cultural traditions.
Orhan Pamuk • Istanbul (Vintage International)
he suffers from grief, emptiness, and inadequacy because he can never be close enough to Allah, because his apprehension of Allah is not deep enough. Moreover, it is the absence, not the presence, of hüzün that causes him distress.
Orhan Pamuk • Istanbul (Vintage International)
The center of the Turkish film industry—which put out seven hundred films a year in those days and was ranked second largest in the world, after India—was in Beyoğlu, on Yeşilçam Street, only ten minutes away,
Orhan Pamuk • Istanbul (Vintage International)
(Just as, almost by instinct, I find myself opening this parenthesis, suggesting that I have no desire, none at all, to recall this incident.)
Orhan Pamuk • Istanbul (Vintage International)
But for me, one thing remains the same: the place the Bosphorus holds in our collective heart. As in my childhood, we still see it as the font of our good health, the cure of our ills, the infinite source of goodness and goodwill that sustains the city and all those who dwell in it.
Orhan Pamuk • Istanbul (Vintage International)
If the city speaks of defeat, destruction, deprivation, melancholy, and poverty, the Bosphorus sings of life, pleasure, and happiness. Istanbul draws its strength from the Bosphorus. But in earlier times, no one gave it much importance: They saw the Bosphorus as a waterway, a beauty spot, and, for the last two hundred years, a fine location for sum
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Life can’t be all that bad, I’d think from time to time. Whatever happens, I can always take a walk along the Bosphorus.