Investing in Culture: An Interview With Michael Karnjanaprakorn, Founder of Otis
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Investing in Culture: An Interview With Michael Karnjanaprakorn, Founder of Otis
Gone are the days of needing to be blessed by a particular art critic or granted a degree from a particular art school. Sure, “signal” from particular collectors and marketing by the artist still drives value, but the equal opportunity across the globe for any talented artist to “mint” a piece of work on a particular marketplace and be discovered i... See more
Scott Belsky • The Furry Lisa, CryptoArt, & The New Economy Of Digital Creativity | by Scott Belsky | Feb, 2021 | Medium
how these technologies are fostering a new era of collaborative creation, characterized by unprecedented accessibility, real-time interaction, and a shared creative space.
Audrey Tang • ⿻ 數位 Plurality: The Future of Collaborative Technology and Democracy
Art has an ability to connect us beyond the limitations of language.
Rick Rubin • The Creative Act: A Way of Being
Troy Carter’s Venice Music is launching an NFT-gated members’ club
Music Business Worldwidemusicbusinessworldwide.com
There's the potential for a community-driven, media-savvy insurgent to build an iconic brand and business off of these changes. Phluid is an interesting player right now, as is Machine A. I think there's room for plenty of others.
Aashay Sanghvi • Not Found
In short, with democratized access, the web became more saturated than ever before, and as consumers, we began to spend more and more time trying to sort through it all. In a state of analysis paralysis, how do we disaggregate signal from noise?
This problem of overabundance is why I wrote my piece last year. As consumption of digital media increas... See more
This problem of overabundance is why I wrote my piece last year. As consumption of digital media increas... See more
Gaby Goldberg • Curators All the Way Down
When determining whether a cultural object has value, is it best to trust: