
Infra-ordinary People | Cara Blue Adams

Why is this important? Because, Perec argued, if we can learn how to “speak of these ‘common things,’” which he describes as “the banal, the quotidian, the obvious . . . the background noise, the habitual,” we can stop doing what we default to, which is to “sleep through our lives in a dreamless sleep.” Instead, we can give the fundamental elements... See more
Cara Blue Adams • Infra-ordinary People | Cara Blue Adams
In relation the convo with Travis
Small does not mean inconsequential. These small things are, of course, life itself, and when attended to, become as large as each of our lives is to us.
Cara Blue Adams • Infra-ordinary People | Cara Blue Adams
“[mistrust] the woman’s process of abstraction, simply because I’d grown weary of life in the abstract. For most of the people we were acquainted with, Manu and I were nothing more than our countries of origin, our accents, our work. And I yearned for a specific existence.”
Cara Blue Adams • Infra-ordinary People | Cara Blue Adams
“yearned for a specific existence”
She has come to see, too, the universal in the specific. “All the months that I had been filming, I’d thought that there were so many ways of living, of inhabiting the park,” she says. “I wanted to know as many configurations as possible, all the strange and unique ways. But lately, as I went over the scenes again and again, smoothing their edges, ... See more
Cara Blue Adams • Infra-ordinary People | Cara Blue Adams
MIC DROP
Asya uses anthropology’s tools to regard her own specific life and surroundings with curiosity and distance, allowing her to better understand them and to see their meaning and worth.
Cara Blue Adams • Infra-ordinary People | Cara Blue Adams
So anthropology grounds Asya. At the same time, the novel gestures to the discipline’s troubled past, with its colonial underpinnings and tendency to exploit, extract, and other its subjects.
Cara Blue Adams • Infra-ordinary People | Cara Blue Adams
How we need to interrogate what we do
the practice of paying close attention.
Cara Blue Adams • Infra-ordinary People | Cara Blue Adams
what we do
Over three days in October 1974, the French experimental writer Georges Perec sat in cafés and a tabac in a Parisian public square called Place Saint-Sulpice and jotted down everything he saw. His observations became a book called An Attempt to Exhaust a Place in Paris , in which he sought to capture the small details that often elude us: “that whi... See more
Cara Blue Adams • Infra-ordinary People | Cara Blue Adams
A reminder that while we assess culture we are also culture. The simple act of living is the participation.
“I found my subjects self-explanatory, if not a little disappointing. . . . It was just life, in a somewhat ugly town. There were afternoon snacks of Fanta and stale vanilla cake. The children that came to the center wore sneakers and had cell phones. They listened to the same pop songs as the rest of the world.”
Cara Blue Adams • Infra-ordinary People | Cara Blue Adams
In relation to my theory that the most powerful inspiration comes from unexpected places