
Immersive Journalism as Storytelling: Ethics, Production, and Design

Melissa Bosworth and Lakshmi Sarah (2019) conducted an impressive number of interviews, analyzed and classified respectable numbers of immersive narratives and news. Their book offers an excellent review of virtual reality, augmented reality, and mixed reality storytelling cases from recent years.
Astrid Gynnild • Immersive Journalism as Storytelling: Ethics, Production, and Design
by bringing together immersion and interactivity, it is argued that total art can be achieved in virtual reality, with the emphasis lying in narrative (Evans 2019).
Astrid Gynnild • Immersive Journalism as Storytelling: Ethics, Production, and Design
immersive journalism has started attracting vanguard journalism scholars inquiring into emergent technologies and their influence in journalism. (See, for example, Sirkkunen et al. 2016; Jones 2017; Sundar et al. 2017; Sánchez Laws 2017; Bosworth & Sarah 2019; Aitamurto el al. 2018; Kukkakorpi 2018; Aitamurto 2019; Hassan 2019; Mabrook & Si
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Cross reality refers to new forms of reality content creation in which all the above technologies may be mixed; digital
Astrid Gynnild • Immersive Journalism as Storytelling: Ethics, Production, and Design
Hamlet in the Holodeck (1997),