How the work really gets done

Looking back at all the tools and techniques that I've developed over the years as a writer, it occurs to me that most of them are, in one way or another, grappling with two critical mental forces: the power (and weakness) of human memory, and the sometimes overwhelming drive to procrastinate.

I even resisted sitting at a desk, so my studio mates rarely saw me, and most of my work was done in nature, underneath trees, by the water, and sometimes in cafés, galleries, and the botanical garden. And the rest was a vast, empty space that I didn’t know how to navigate any more than I knew how to start drawing from a blank piece of paper.