“Genre, medium, and format are secondary concerns and, in some instances, they seem to disappear entirely.” One piece of intellectual property inspires a feeding frenzy of podcast, documentary, and miniseries offshoots. Single episodes of streaming-service TV can run as long as a movie. Visual artists’ paintings appear on social media alongside... See more

To understand the networked self, we must first understand the self, which is a ceaseless endeavor. The ultimate problem of the Internet might stem not from the discrete technology but from the Frankensteinian way in which humanity’s invention has exceeded our own capacities.

We know that what we post and consume on social media feels increasingly empty, and yet we are powerless to stop it. Perhaps if we had better language for the problem, it would be easier to solve. “Content begets content,” Eichhorn writes.

“Content is part of a single and indistinguishable flow.”

Once upon a time, the Internet was predicated on user-generated content. The hope was that ordinary people would take advantage of the Web’s low barrier for publishing to post great things, motivated simply by the joy of open communication. But then ad sales came into play.

That business model is still what most of the Internet relies on today.... See more

the interface of the Internet, and the keyboard that gives him access to it, is less an external device than an extension of his questing mind. To understand the networked self, we must first understand the self, which is a ceaseless endeavor.

Cultural products and consumer habits alike increasingly conform to the structures of digital spaces.

For Kate Eichhorn, a media historian and a professor at the New School, content is digital material that “may circulate solely for the purpose of circulating”

the ultimate problem of the Internet might stem not from the discrete technology but from the Frankensteinian way in which humanity’s invention has exceeded our own capacities.