
How Music Works

I let my body discover, little by little, its own grammar of movement—often jerky, spastic, and strangely formal.
David Byrne • How Music Works
Though I was still up front as the singer, there wasn’t the visible hierarchy of players that one often sees in large bands. Everyone was both musically and visually part of the whole. The band became a more abstract entity, a community. And while individual band members might shine and take virtuosic turns, their identities became submerged within
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Musicians sort of knew this already—that the emotional center is not the technical center, that funky grooves are not square, and what sounds like a simple beat can either be sensuous or simply a metronomic timekeeper, depending on the player.
David Byrne • How Music Works
In my forays outside of bohemia and away from the winos and addicts that littered the Bowery at that time, I realized that most New York men wore suits, and that this was a kind of uniform that intentionally eliminated (or was at least intended to eliminate) the possibility of clothing as a statement. As with a school uniform, it was assumed that
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Looking at early video footage of our three-piece combo at CBGB, I now sense that it was less a band than an outline for a band. It was a sketch, just the bare-bones musical elements needed to lay out a song. Nothing more. There was no real pleasure or pleasantness to these arrangements. This wasn’t music to seduce the ear, but it wasn’t
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I also realized then that it was possible to mix ironic humor with sincerity in performance.
David Byrne • How Music Works
And, unlike religion, no one has ever gone to war over music.
David Byrne • How Music Works
In the long run there is a greater value for humanity in empowering folks to make and create than there is in teaching them the canon of great works.
David Byrne • How Music Works
he said that the way we think and view the world changed as a result. In an acoustic universe one senses essence, whereas in a visual universe one sees categories and hierarchies. He claims that in a visual universe one begins to think in a linear fashion, one thing following another along a timeline, rather than everything existing right now,
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