Getting Made The Scorsese Way

He spoke to each of us differently. This was never an affectation. He had an uncanny ability to pick up intonations, inflections, and body language in every one of his players. When he listened, he had what I like to think of as a built-in, shockproof lie detector. We used to have a saying on the Celtics, “Don’t lie to me, boy!” That came from Red.

Coppola’s strategy for making the complex, multifaceted film rested on a technique he learned studying theater at Hofstra College, known as a “prompt book.” He started by reading The Godfather novel and capturing the parts that resonated with him in a notebook—his own version of Twyla Tharp’s box.

New York was the city of the Fix, of “protection,” of the shakedown. The twelve years of La Guardia had been only an interlude. New York was again what it had been before the Little Flower bounced into City Hall: a city in which everything had its price.

After he reads a draft script, “it’s as if you just handed him a baby,” Long said, “and it’s his responsibility to tell you if your baby’s sick.”