George Saunders: What Writers Really Do When They Write

They seemed to regard fiction not as something decorative but as a vital moral-ethical tool. They changed you when you read them, made the world seem to be telling a different, more interesting story, a story in which you might play a meaningful part, and in which you had responsibilities.
George Saunders • A Swim in a Pond in the Rain: In Which Four Russians Give a Master Class on Writing, Reading, and Life
From George Saunders, on nuance and embracing complexity:
... See morethe writer doesn't have to have a fixed firm idea, but has to be able to take the reader on a journey to remind her that the world is complicated. From the very beginning, I understood writing to be about some kind of moral or ethical imperative. Absent that, I'm not that interested in it, ac
When it comes to essay writing, the idea of “patterns over process,” is just as relevant.
Tootzi instilled a philosophy of “all that exists is the artifact that’s on the table.” It doesn’t matter if your ideas come from your mind, your heart, your soul, your belly button, the tops of mountains, a bottle ... See more
Michael Dean • The Secret Architecture of Great Essays
For the most part, novelists are trying to convert something present in their consciousness into a story. Yet there is an inevitable gap between the preexisting original and the new shape it is spawning. That creates a dynamic the novelist can use as a kind of lever in the fashioning of his narrative. This is quite a roundabout way to do things, an
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