A Swim in a Pond in the Rain: In Which Four Russians Give a Master Class on Writing, Reading, and Life
George Saundersamazon.com
Saved by Jonathan Simcoe and
A Swim in a Pond in the Rain: In Which Four Russians Give a Master Class on Writing, Reading, and Life
Saved by Jonathan Simcoe and
We could understand a story as simply a series of such expectation/resolution moments.
What a story is “about” is to be found in the curiosity it creates in us, which is a form of caring.
I’d say this is what art is for: to remind us that this other sort of knowing is not only real, it’s superior to our usual (conceptual, reductive) way.
But this quality is what we love him for now. In a world full of people who seem to know everything, passionately, based on little (often slanted) information, where certainty is often mistaken for power, what a relief it is to be in the company of someone confident enough to stay unsure (that is, perpetually curious).
That’s really all a story is: a limited set of elements that we read against one another. —
The story form asks of the merely anecdotal: “Yeah, but so what?”
Chekhov once said, “Art doesn’t have to solve problems, it only has to formulate them correctly.” “Formulate them correctly” might be taken to mean: “make us feel the problem fully, without denying any part of it.”
An acknowledgment, in the prose, that all of this is too big to be spoken of, but also that death begins the moment we give up on trying to speak of it. —
This is a big moment for any artist (this moment of combined triumph and disappointment), when we have to decide whether to accept a work of art that we have to admit we weren’t in control of as we made it and of which we’re not entirely sure we approve.