Five questions with: Director Anne Bogart - Little Village
the most important part of casting Swings is finding those with the “Swing Brain.” This factor can be difficult to teach and is basically a combination of organizational skills, a “level head,” spatial awareness, and a “go-with-the-flow” attitude.
Lyndy Franklin Smith • Broadway Swings: Covering the Ensemble in Musical Theatre
Movement experience elicits genuine insights into our own behaviors and also into how groups shift from perpetuating stale relationship patterns toward becoming creative entities. It provokes reflection and learning. It makes visible the deeper patterns that support the cultivation of healthy social relations, sparking creative action in teams, org
... See moreArawana Hayashi • Social Presencing Theater: The Art of Making a True Move
Chuck Mee’s basic rule in our workshop was to steal—to steal as much as possible from other sources. It could be an interview you read in Sports Illustrated . It could be a conversation you overhear in a café. And that will be your material for those who don’t consider themselves natural writers and those who don’t have a natural facility for the b... See more
Frank Boudreaux • Aggressive Inefficiency: from Stage to Page with Rachel Chavkin and Alec Duffy | The Brooklyn Rail
5 lessons we can learn from Hans Zimmer’s career - Bam Music Blog
blog.bammusic.com
I believe that’s why the theater is actually going to grow in the twenty-first century, because it forces us to slow down. The circadian rhythms are being lost, technology is speeding up, so we have to go somewhere and literally have a one-to-one relationship with the tick-tock of the clock.