
Fall; or, Dodge in Hell: A Novel

Corvallis Kawasaki
Neal Stephenson • Fall; or, Dodge in Hell: A Novel
shift to new character quasi-perspective - its all told from omniscient
all he knew was what he saw. He tried to sit up. Nothing happened. He tried to raise his arms.
Neal Stephenson • Fall; or, Dodge in Hell: A Novel
Its like this part 1 is describing me and sleep.
the spatial lattice on which virtually all of his dreams were constructed. It was the graph paper on which his mind seemed to need to plot things.
Neal Stephenson • Fall; or, Dodge in Hell: A Novel
He woke up his phone. Its home screen was chicken-poxed with little red dots with accusatory numbers in them, the consequences of having turned a deaf ear to the Din for twelve whole hours.
Neal Stephenson • Fall; or, Dodge in Hell: A Novel
She was tempted to flip them down and see if they could face-rec this Larry and if so find out who his editor was—or more likely what edit stream he subscribed to and what particular flavor of post-reality it was pumping into his mind.
Neal Stephenson • Fall; or, Dodge in Hell: A Novel
He went into the building musing on the weird role that his society had picked out for him as a guy who had built, or caused to be built, an imaginary world.
Neal Stephenson • Fall; or, Dodge in Hell: A Novel
This is how you expose a characer, through little snippets, thoughts, memories and behaviors sprinkled into the drawn out action and detail of simply living a morning or day. Pace it.
The living stayed home, haunting the world of the dead like ghosts.
Neal Stephenson • Fall; or, Dodge in Hell: A Novel
In the long meantime Mr. Shepherd was willing to shoulder the burden of being misunderstood.
Neal Stephenson • Fall; or, Dodge in Hell: A Novel
the brain–body system rebooted itself, like a fucked-up computer that just needs to be unplugged from the wall for ten seconds and restarted in order to come back to life in clean working order.