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Everybody Has to Self-Promote Now. Nobody Wants To.
If there was a decade defined by its obsession with authenticity and artistic purity, it’s the 90s, an era where trying too hard or caring too much about anything was embarrassing, where “selling out” was the ultimate sin.
Rebecca Jennings • Everybody Has to Self-Promote Now. Nobody Wants To.
Yet what they best represent is the current state of art, where artists must skillfully package themselves as products for buyers to consume.
It’s precisely the kind of work that is uncomfortable for most artists, who by definition concern themselves with what it means to be a person in the world, not what it means to be a brand.
It’s precisely the kind of work that is uncomfortable for most artists, who by definition concern themselves with what it means to be a person in the world, not what it means to be a brand.
Rebecca Jennings • Everybody Has to Self-Promote Now. Nobody Wants To.
A world in which artists think like entrepreneurs, he writes in the Atlantic, is one where “You’re a musician and a photographer and a poet; a storyteller and a dancer and a designer ... which means that you haven’t got time for your 10,000 hours in any of your chosen media. But technique or expertise is not the point. The point is versatility. Lik... See more
Rebecca Jennings • Everybody Has to Self-Promote Now. Nobody Wants To.
neoliberalism has created so much precarity that the commodification of the self is now seen as the only route to any kind of economic security
Rebecca Jennings • Everybody Has to Self-Promote Now. Nobody Wants To.
But with less separation between art and commerce, Montgomery says, “there’s some self-censorship that happens. If you’re a little too knowledgeable about PR, you start to become way too aware of things like posting schedules, and it’s impossible to be punk anymore.”
Rebecca Jennings • Everybody Has to Self-Promote Now. Nobody Wants To.
We like to think of it as the work of singular geniuses whose motivations are purely creative and untainted by the market — this, despite the fact that music, publishing, and film have always been for-profit industries where formulaic, churned-out work is what often sells best.
Rebecca Jennings • Everybody Has to Self-Promote Now. Nobody Wants To.
Under the tyranny of algorithmic media distribution, artists, authors — anyone whose work concerns itself with what it means to be human — now have to be entrepreneurs, too.
Rebecca Jennings • Everybody Has to Self-Promote Now. Nobody Wants To.
A world in which artists think like entrepreneurs, he writes in the Atlantic, is one where “You’re a musician and a photographer and a poet; a storyteller and a dancer and a designer ... which means that you haven’t got time for your 10,000 hours in any of your chosen media. But technique or expertise is not the point. The point is versatility. Lik... See more
Rebecca Jennings • Everybody Has to Self-Promote Now. Nobody Wants To.
the “online business industrial complex,” the network of hucksters vying for your attention and money by selling you courses and coaching on how to get rich online. She’s talking about the hustle bro “gurus” flaunting rented Lamborghinis and promoting shady “passive income” schemes, yes, but she’s also talking about the bizarre fact that her “65-ye... See more
Rebecca Jennings • Everybody Has to Self-Promote Now. Nobody Wants To.
Gagging
A society made up of human beings who have turned themselves into small businesses is basically the logical endpoint of free market capitalism, anyway. To achieve the current iteration of the American dream, you’ve got to shout into the digital void and tell everyone how great you are. All that matters is how many people believe you.