Eleven propositions to the question: What is contemporary about craft?
Julia Bryan-Wilsonarts.berkeley.eduSaved by Elena Lo Presti
Eleven propositions to the question: What is contemporary about craft?
Saved by Elena Lo Presti
It feels like we’re in a moment of repudiating the modernist impulse that says we’re happily abandoning the present as we rocket into the future. I think the whole return of retro design—the artisanal movement, and the coveting of everything handmade—is evidence of this. It’s as if we’re struggling to create a new notion of time,
In The Fabric of Interface , Stephen Monteiro argues that our everyday digital practice has taken on traits common to textile and needlecraft culture. Our smart phones and tablets use some of the same skills—manual dexterity, pattern making, and linking—required by the handloom, the needlepoint hoop, and the lap-sized quilting frame. Monteiro
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