Draper vs Ruud: Madrid Final Recap

I need to start the fifth with fury. I also need to acknowledge that I can’t win every point. I can’t run after everything, can’t lunge for each dink and drop. I can’t go full-speed against a kid who’s still teething. He wants to be out here all night, but I have forty-five minutes of energy left, forty-five minutes of a functioning body. Or maybe

I’d love to beat Mac, but this is his first tournament after a brief hiatus. He’s well rested, raring to go, and he was recently ranked number one in the world. Moments before we take the court I wonder why a player as polished and accomplished as Mac needs a hiatus. Then he shows me. He demonstrates the virtue of rest. He beats me soundly, 6–3, 6–

I’ve always played with ProBlend, a string that’s half Kevlar, half nylon. You can reel in an eight-hundred-pound marlin with ProBlend. It never breaks, never forgives, but also never generates spin. It’s like hitting the ball with a garbage can lid. People talk about the game changing, about players growing more powerful, and rackets getting bigge

The match is fun, like a puppet show. I feel as if I’m holding a string and each time I pull it, Malisse jumps. I’m astonished, yet again, by the connection between two players on a tennis court. The net, which supposedly separates you, actually links you like a web. After two bruising hours you’re convinced that you’re locked in a cage with your o

A great player creates a new game that favors their strengths and avoids their weaknesses.

Above all, Martin has a tic. A tell. Some players, when serving, look at their opponent. Some look at nothing. Martin looks at a particular spot in the service box. If he stares a long time at that spot, he’s serving in the opposite direction. If he merely glances, he’s serving right at that spot. You might not notice it at 0–0, or 15–love, but on