
Draft No. 4

I enclose words and phrases in pencilled boxes for Draft No. 4. If I enjoy anything in this process it is Draft No. 4. I go searching for replacements for the words in the boxes.
John McPhee • Draft No. 4
said I could not imagine anything said more plainly.
John McPhee • Draft No. 4
I had little else to do but show up for cocktails at five in the evening.
John McPhee • Draft No. 4
On a highly competitive list, her foremost peeve in factual writing was indirection—sliding facts in sideways, expecting a reader to gather rather than receive information. You don’t start off like an atmospheric fictionist: “The house on Lovers’ Lane was where the lovers loved loving.” A Gould proof would have asked, “What house?” “What lovers?” “
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In the course of writing, you really find out what you don’t know, and you read in an attempt to get it right.
John McPhee • Draft No. 4
The lead—like the title—should be a flashlight that shines down into the story. A lead is a promise. It promises that the piece of writing is going to be like this. If it is not going to be so, don’t use the lead. Some leads are much longer than others. I am not talking just about first sentences. I am talking about an integral beginning that sets
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awash in natural light.
John McPhee • Draft No. 4
If doing nothing can produce a useful reaction, so can the appearance of being dumb.
John McPhee • Draft No. 4
He said, “It takes as long as it takes.” As a writing teacher, I have repeated that statement to two generations of students. If they are writers, they will never forget it.