Draft No. 4
“Every block of stone has a statue inside it, and it is the task of the sculptor to discover it.”
John McPhee • Draft No. 4
The sex life of citrus is spectacular. Plant a lime seed and up comes a kumquat, or, with equal odds, a Seville orange, not to mention a rough lemon or a tangerine.
John McPhee • Draft No. 4
She mailed the marked-up copy to Harold Ross, the founding editor, and Ross was said to have bellowed. What he bellowed was “Find this bitch and hire her!”
John McPhee • Draft No. 4
I had written Corps’ for each and every possessive Corps, and the copy editors said that the possessive of Corps should be printed as Corps’s. I thought I was in a morgue. I said so. The copy editors phalanxed—me versus the whole department.
John McPhee • Draft No. 4
Keep a legal pad, or something like one, and when you are stuck dead at any time—blocked to paralysis by an inability to set one word upon another—get away from the computer, lie down somewhere with pencil and pad, and think it over. This can do wonders at any point in a piece and is especially helpful when you have written nothing at all.
John McPhee • Draft No. 4
He had an alert look and manner; short, graying dark hair; a clear gaze, no hint of guile—an appealing, trusting guy.
John McPhee • Draft No. 4
“I’m just taking away what doesn’t belong there.”
John McPhee • Draft No. 4
an instantly likable guy if the instant had not been this one.
John McPhee • Draft No. 4
Once captured, words have to be dealt with. You have to trim them and straighten them to make them transliterate from the fuzziness of speech to the clarity of print.
John McPhee • Draft No. 4
Developing a structure is seldom that simple. Almost always there is considerable tension between chronology and theme, and chronology traditionally wins.