Death's End (The Three-Body Problem Book 3)
Gogh’s representation of space had left a deep impression on her. In his subconscious, space seemed to have structure. Cheng Xin wasn’t an expert in theoretical physics back then, but she knew that according to string theory, space, like material objects, was made up of many microscopic vibrating strings. Van Gogh had painted these strings: In his
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The ultimate fate of all intelligent beings has always been to become as grand as their thoughts.
Cixin Liu • Death's End (The Three-Body Problem Book 3)
centrifugal
Cixin Liu • Death's End (The Three-Body Problem Book 3)
But, in our age, conscience and duty are not ideals: an excess of either is seen as a mental illness called social-pressure personality disorder. You should seek treatment.”
Cixin Liu • Death's End (The Three-Body Problem Book 3)
Fundamentally, Tianming was not suited to live in society, nor out of it. He lacked the ability to thrive in society, but also the resources to ignore it. All he could do was hang on to the edge, suffering. He had no idea where he was headed in life.
Cixin Liu • Death's End (The Three-Body Problem Book 3)
“From a scientific perspective, ‘destroy’ isn’t really accurate. Nothing has disappeared. All the matter that used to be there is still there, and so is all the angular momentum. It’s only the arrangement of matter that has changed, like a deck of cards being reshuffled. But life is like a straight flush: Once you shuffle, it’s gone.”
Cixin Liu • Death's End (The Three-Body Problem Book 3)
They had achieved wa kei sei jaku—harmony, respect, purity, and tranquility, the four principles of the Way of Tea.