‘Deadpool & Wolverine’ Might Save the Summer, but Hollywood Still Needs Rescuing

As a result of these much larger outcomes we've built a movie-making system that is focused on big hits because the business model can't really absorb too many massive flops. So you get sequels, prequels, and spin-offs. Established IP and bankable stars. No big risks. And you don't get nearly as much experimentation, innovation, or creativity.
Kyle Harrison • The Death of a Venture Fund


Flattened, algorithmically-driven, risk-averse, accounting-based reboot culture continues to win despite the incredible diversity and eagerness of the creator economy and its long tail of choice and representation.
But despite a firehouse of hot takes, nothing much has changed over the years. Perhaps it’s gotten worse ?
In 2024, all of the Top 15 hi... See more
But despite a firehouse of hot takes, nothing much has changed over the years. Perhaps it’s gotten worse ?
In 2024, all of the Top 15 hi... See more
Cultural Singularity & The Need for Friction: The Business Case for Thinking the Inverse
What Is an Entertainment Company in 2021 and Why Does the Answer Matter? — MatthewBall.co
Matthew Ballmatthewball.vc